Galerija Nova Gallery in Zagreb

An artist working across installation, performance, photography and writing, Horvat often stages bodies, objects and everyday spaces as unstable arrangements shaped by constraint, repetition, absence and spatial negotiation.

A key figure of Croatian conceptual art, Stilinović used language, everyday materials, photography and irony to examine labor, ideology, poverty, artistic value and the contradictions of post-socialist society.

A pioneering Croatian artist associated with feminist and new media practices, Iveković uses photography, video and performance to address gender, mass media, political memory and the representation of women in public culture.

Grubić works through film, photography and public interventions, developing socially engaged projects that revisit historical memory, civil resistance, marginalized communities and the political charge of everyday urban space.

Miletić transforms photographs of repair, care and urban surfaces into handwoven textiles and installations, connecting documentary observation with questions of labor, migration, maintenance and the social value of slow work.

Attia’s research-based installations examine repair as a historical, cultural and psychological process, linking colonial memory, architecture, wounded bodies, museum politics and the contested circulation of objects and images.

Naprushkina combines drawing, installation, text and activist pedagogy to question state power, propaganda, social exclusion and collective self-organization, often treating art as a tool for political participation.

Husni-Bey develops videos, workshops and research-based projects around pedagogy, law, urban space and collective practice, using participatory formats to test how institutions shape social relations and political imagination.