The Why Not Gallery Gallery in Tbilisi

A multimedia artist and curator whose practice revisits Soviet visual language and Georgian craft traditions, using humour, textiles, mosaic-like forms and personal memory to address inherited cultural narratives and social tensions.

A self-taught painter whose dreamlike compositions avoid direct realism, using windows, fragmented walls and surreal spatial transitions to suggest parallel realities, psychological interiors and movement between ordinary and irrational states.

A self-taught artist whose painting-centred, sculptural practice isolates figures within symbolic frames, transforming private inner landscapes into condensed images concerned with sacred presence, vulnerability and subjective experience.

A multidisciplinary artist-researcher working across painting, installation and video, examining perception, fragmented memory and cultural identity through layered archival images, personal material and speculative pseudo-realities.

A key Georgian textile artist whose tapestries, tempera works and mixed-media compositions draw on folklore, decorative traditions and vivid colour, linking Soviet-era applied art with expressive modernist abstraction.

A figurative painter whose academically grounded works often depict gymnasts, interiors and isolated figures, using suspended motion, sparse settings and recurring objects to explore memory, alienation and fragile human connection.

A ceramicist and painter associated with Tbilisi’s monumental public art, whose later paintings and tapestry-based works transform tropical landscapes, biblical references and allegorical figures into dense, colour-driven visual narratives.

A Georgian artist based in Barcelona whose practice moved through multimedia experimentation before centering on painting, developing a personal visual language shaped by emotional intensity, female subjectivity and symbolic figuration.