Baia Gallery Gallery in Tbilisi

A central figure of the Georgian Trans-avant-garde, he developed a singular technique combining hand-prepared plaster and tempera with a final egg-yolk glaze, drawing on Persian miniatures, Byzantine icons and medieval Georgian frescoes.

A painter and draughtsman of the 1980s generation whose graphic work and book illustrations — including a notable cycle for Homer's Odyssey — combine lyrical introspection with a refined sense of line, color and literary reference.

Working on large sheets of paper with bold brushwork, enamel-like surfaces and monotype techniques, she develops mythological subjects — gardens, horses, biblical and classical figures — within charged, ritual-laden compositions.

A leading figure of the Georgian modernist avant-garde, he moved between cubo-futurist abstraction developed during his 1920s Paris years and later landscape painting rooted in his native Imereti, alongside research into optical and stereoscopic forms.

A foundational twentieth-century Georgian painter whose interwar years in Paris shaped a distinctive vocabulary of mythological figures, urban Tbilisi scenes and stylised eroticism inflected by Persian miniature and Byzantine pictorial sources.

A painter and graphic artist remembered for atmospheric depictions of old Tbilisi, Georgian provincial towns and rural landscapes, alongside an extensive body of theatre and book design work spanning several decades.

Drawing on naïve modernism and the freedom of children's drawing, she stages distant, populous scenes — streets, fields, squares — filled with miniature figures whose gestures and expressions evoke fragments of remembered childhood.

A contemporary artist whose practice centers on site-specific installation, producing spatial works that respond to their architectural settings — including commissioned interventions for commercial environments such as the Adolfo Domínguez Outlet Store.