Chi-Wen Gallery Gallery in Taipei

Editorial Profile

Founded in 2004 by Chi-Wen Huang, Chi-Wen Gallery holds a distinctive position within contemporary art in Taipei through its sustained, almost programmatic commitment to artists' film, video, photography and media-based practice. It functions less as a broad commercial gallery than as a specialized space organized around experimental Taiwanese and wider Asian art, consistently privileging the moving image, performance, conceptual research and politically attentive forms of narration over market-led painting and sculpture. Its roster—Chen Chieh-Jen, Hsu Chia-Wei, Su Hui-Yu, Yu Cheng-Ta, Tsui Kuang-Yu, Wang Jun-Jieh, Yao Jui-Chung, Tao Hui, Sin Wai Kin and Bruce Yonemoto among them—spans several generations, pairing established names with younger positions and signalling a program shaped by time-based media rather than a single discipline.

Operating from Zhongshan, the gallery occupies the more experimental layer of galleries in Taipei, complementing the city's museum and foundation infrastructure with a dedicated platform for screen-based and interdisciplinary work. Projects such as Chi-Wen Cinema – How Was History Wounded, Rhapsody Unchained, Human-Cannabis, Jigoku and Singing Winds, alongside presentations tied to Taipei Dangdai Art Week, reveal a working method that treats the gallery as both exhibition room and screening context, where film programming and installation sit on equal footing. That orientation extends internationally through regular participation in fairs including Art Basel Hong Kong, Frieze New York, Frieze London, Asia Now Paris, ART SG and the moving-image fair LOOP Barcelona, giving its Taipei-based and regional artists access to a wider circuit for film, video and experimental contemporary art.