Don Gallery Gallery in Shanghai

A gallery-wide group survey of thirty works spanning 2011–2022 by thirteen artists, using the hippocampus as a metaphor for memory, historical layering, and the intertwined conceptual trajectories shared across the gallery's roster.

ZHANG Ruyi's fourth solo at Don Gallery, presenting new works in concrete, mosaic tile, rebar, and construction debris to probe the emotional residue embedded within urban infrastructure and cycles of building and dissolution.

A solo presentation of LI Shan's oil paintings — including works from her 1970s practice with the underground No Name Art Group — exploring nature, seasonal beauty, and light through intimate, lyrical compositions.

CAO Zaifei's second solo at Don Gallery, combining oil on canvas works and ready-made interventions to stage objects and figures within scenarios of philosophical absurdity, invoking both classical metaphysics and the absurdity of contemporary existence.

A presentation of fifteen sculptures examining the spatial and temporal conditions of mass-produced commodities, using deformations and gaps incurred during manufacture and transit to reflect critically on the mythology of industrial production.

Curated by ZHANG Li, this solo exhibition presents WANG Ningde's latest works interrogating the ontological and material limits of photography through manipulated photographic paper, artificial light, and experimental printing processes.

Curated by WANG Jiang, this solo brings together LU Song's large-format acrylic works in low-saturation, atmospheric tones, suspending landscapes and spatial environments between perception, memory, and the slow dissolution of material form.

Second chapter of ZHANG Yunyao's major series, featuring new graphite-on-felt works using simian imagery to probe Marxist theories of estrangement and the increasingly blurred boundary between human and non-human conditions.