Tiwani Contemporary Gallery in Lagos

Trained as a printmaker, she combines screen-printing and drawing in large works on paper that explore the female body, motherhood, kinship, and the introspective registers of displacement, isolation, and intimate transformation.

Working in video since the early 1980s, he constructs kaleidoscopic moving-image installations that interlace anthropology, religious iconography, and electronic media, examining cultural hybridity, ritual, and the layered geographies of postcolonial identity.

He uses cyanotype, silkscreen, and other analog processes to rework found photographs, documents, and stamps salvaged from flea markets, layering urban and colonial archives to interrogate memory, migration, and the afterimages of Portuguese empire.

Drawing on his printmaking training, he developed the Kucheka-cheka technique, cutting directly into paper, applying ink, and peeling back surface layers; the resulting large works extend into installations populated by scraps and street objects from Harare's markets.

A London-based painter of Ghanaian and Vincentian heritage, she renders interiors and figures in warm, darkened tones, applying Schlag metal that oxidises over time to materialise ancestral memory, domestic intimacy, and the slow passage of recollection.

His research-driven practice spans photography, sculpture, video, and sound, drawing on extensive travel and archival material to critically re-read the entanglements of colonialism and modernism, particularly across Italian colonial histories in the Horn of Africa.

A visual storyteller working between photography, video, and multimedia installation, his projects survey urbanisation, migration, religion, popular culture, and gender politics across West African cities, with extended series on barbershops, football culture, and everyday Nigerian life.

She constructed figures and mask-like portraits from stitched cotton, leather, felt, and dyed fabrics, drawing on West African ritual sculpture, folk traditions, and African American history to probe Black figuration, identity, and the tension between visibility and obscurity.