Casa Hoffmann Gallery in Bogotá

Curated by Mildred Durán, this exhibition approaches performance in Colombia through a transhistorical framework, gathering artists whose practices challenge object-centered art and emphasize action, social practice, and embodied experimentation.

A curatorial project on skin as a porous interface, examining identity, corporeality, technology, and matter through posthumanist, transhumanist, and new-materialist perspectives across speculative and sensorial works.

Curated by Valentina Montero and Casa Hoffmann, MACHINA brought together Colombian and Chilean artists exploring technology, science, extractivism, environmental crisis, and ecofeminist alternatives through critical experimental works.

A group exhibition of Colombian artists working with electricity, mechanisms, movement, and automata, foregrounding kinetic objects whose shadows, sounds, motors, and mechanical actions unfold in real time.

Curated by Santiago Rueda Fajardo, EDENIA imagined a tropical and emotional geography where ecology, biotechnology, pollution, mysticism, science fiction, conflict, and territorial tensions intersect through diverse material practices.

Developed from research by Caridad Botella, OBSESIÓN examined repetition, insistence, rhythm, accumulation, and recurring thematic fixation as artistic strategies across a broad group of contemporary practices.

A Casa Hoffmann research exhibition focused on light as both material and conceptual vehicle, gathering artists who use technological, mechanical, scientific, and artisanal approaches to perception, atmosphere, and visibility.

Curated by Carmen Gil Vrolijk, VIDEOKINESIS explored transdisciplinary practices linking moving image, live video, light, sound, performance, and bodily movement through works connected to science and technology.