House of Chappaz Gallery in Barcelona

Solo exhibition presenting new paintings by the Cantabrian artist, anchored in her gestural and abstract pictorial language built through repeated brushwork and chromatic experimentation across large-scale canvases.

The artist's first solo show at the gallery unfolds around the video installation Surrender, Dorothy!, reworking Judy Garland's Dorothy through digital editing alongside aluminum sculptures and digital prints to address gendered domination and feminist rupture.

A configuration of sculptures, video, and image revisiting the twelfth-century Beguine communities of religious and sexual dissidents, with works incorporating clay, metal, resin, and volcanic ash from the artist's native La Palma.

A curated intergenerational survey by Eduardo García Nieto bringing together over forty queer Spanish and international artists, weaving a dissident genealogy of affection, activism, and resilience through photography, sculpture, film, and archival materials.

A duo-of-duos collaboration in which the Doha–Copenhagen photographic practice of Christto & Andrew meets the Brussels-based theatrical installations of Sarah & Charles to examine the gap between past and projected futures, miscommunication, and image distortion.

A sculptural installation of black-rubber waves of varying diameters spread throughout the gallery, evoking lunar geology and the language of astrogeology while reflecting on industrial materiality, time, and methodical doubt.

A multimedia installation departing from Bronski Beat's 1984 song Smalltown Boy to examine rural belonging, queer identity, and cultural violence through photography, video, music, and an anthropomorphic harp sculpture made with luthier Pol Estany.

Solo show gathering polished-steel and iron sculptures alongside suspended high-visibility polyester pieces and a sound work, reflecting on the air as a contested environment shaped by extractive and industrial conditions.